Works in this exhibition includes painting, photography and video art, trigging a conversation between information and life on an essential level of species. This is Li Shan’s first solo exhibition after “The Pumpkin Project” and “Reading of Li Shan” in 2007. The exhibition continues until 21 July.
Siyuan Tan’s work focuses on the confrontation between virtual and physical spaces. His work takes a post-internet approach by employing tangible materials and representational images to pose questions of critical reflection to society, and modes of perception, following the widespread adoption of the internet.
It is exactly through the medium of photography that Wang Qingsong combines diversified visual experiences with conceptual expressions to show his analysis of human existence...
This exhibition brings together 14 artists/artist collectives from China and abroad: Jan Albers, Angélica Dass, Dong Dawei, Olafur Eliasson, Feng Yan, Hong Shaopei, Li Jinghu, Liu Jianhua, Felipe Pantone, Quayola, SHIMURABros, Yan Lei, Yao Peng, and Zhang Yue.
The exhibition consists of fourteen paintings that bring together the radically multicultural aspects of Gang’s art and identity. Though the artist is fully Chinese and American, he is considered (and considers himself) an insider’s outsider in both cultures.
The leaders of Central Academy of Fine Arts, Jin Weinuo’s friends, academic colleagues, the successive student representatives and the family members of Jin Weinuo attended the symposium.
Being a leader and representative of Chinese woodblock printmakers, Chen Qi has maintained a strong sense of creativity while being highly sensitive to current circumstances and constantly adopts new ideas and methods in his artistic creations.
Spanning over forty years, Ni Jun’s extraordinary career cannot be conveniently framed within any single narrative. By presenting important works and archives from different stages of Ni’s career, the exhibition attempts to situate the artist’s oeuvre in the intersections and entanglements of art historical and personal trajectories.
This 85-year-old man is always spirited, cleared-minded and highly motivated and has received great admiration from young people. Whereas, he himself has been humbly working in the field of art creating and teaching for over 70 years.
Hu Wei’s art begins with traditional Chinese painting, expanding the traditional medium of ink into mixed media and elevating a technical medium to ontological “thingness.” In the end, he creates deeper links to the Chinese aesthetic tradition within contemporary artistic creation.
New York based artist Daniel Arsham’s aesthetic revolves around his concept of fictional archaeology. Working in sculpture, architecture, drawing and film, he creates and crystallizes ambiguous in-between spaces or situations, and further stages what he refers to as future relics of the present.
42 masterpieces by a total of 23 renowned artists have been included in the exhibition and they cover calligraphy, sculpture, installation and video.