Through taking “Redoubt” as the object and mythical story as the external idea, Matthew Barney expands his discussion to a variety of metaphors and transformations based on history and current situations.
The exhibition features works by artists Ralf Baecker, Arthur Ganson, Martin Howse, LI Xuezhi, Fito Segrera and ZHANG Hua.
A group of travelers moves through the forest at the base of the mountain, and the proportional relationships between the figures and the landscape have deeply influenced Zhang Kechun's photographs. However, this is just one element in his photography.
More than forty paintings, sculptures, installations, photographs, land artworks will be presented in the Contemporary Art Center and landscapes of Qianshao Bay. The exhibition will fully explore the various aspects of this rich ecosystem located on Chongming Island, in the Yangtze River estuary...
By borrowing the title from John Berger’s achievement, this exhibition develops as a profound discussion regarding concepts behind contemporary art as a way of integrating western notions with a Chinese context.
The material employed in making the Roots series – cast iron covered in a patina of orange rust – likewise responds to ancient cultures and man’s first tools for tree felling and woodworking, rather than to the recent, more polite art history of bronze or steel sculpture.
The exhibition will showcase the latest work by the artist, among which the definitions of “self” and “personal portrait” by the artist are achieved via the latest cutting-edge technology combined with various techniques from fields including science, industry, medicine and art.
The forthcoming Second Anren Biennale will be themed on “A CONFRONTATION OF IDEALS” to open the strategic pace of international art exhibitions at Anren. The transformation of Anren from the “old town of the Republic of China” to the “Chinese Museum Town” is also a possibility for exploration...
Wei Dong's landscape scenes and his erotic figures appear to be two completely different kinds of paintings. However, their approaches to spectatorship are very similar. Calm and still, like a freeze frame in a film, they stop-action the dynamic experience of life, and turn it into a spectacle for contemplation.
This exhibition is a systematic display and sorting of the achievements of the art exploration of Affective-Imagoism Art made by Sang Huoyao, an ink painting artist of significant influence in China in the recent twenty years.
It will feature more than 100 works from Lucas’s thirty-year career, bringing together important past works and new pieces created especially for the project to reflect the creative trajectory of this uncompromising British artist to a Chinese audience.
Presenting typical artworks and images created in 1949 - the special decisive moment, the exhibition attempts to link the political and artistic events happening in this year, illustrating a twofold scene situating in the intersection of art and politics in this particular complex moment.