The exhibition takes the form of a portable digital screen on which seven artists’ works are displayed. The screen arrives at its hosts via courier services.
This exhibition focuses on art works ranging from Pop Art to New Media in contemporary art by Chinese artists. The artists featured are notable leading contemporary artists whom have exhibited internationally.
For him, research is a lifetime thing, which is long but not painful, and he is satisfied. It is already part of his life. He has never thought of the separation of research and rest, he thinks and studies anytime and anywhere, and relaxes anytime and anywhere.
This exhibition brings together the major works of artists from recent years. A considerable part of the work was created by the artist when he served as the Director of CAFA Art Museum, reflecting his artistic thinking at that stage.
Tang Moxi’s “A Book Can’t Be Opened” is a series of works, and the majority of audiences say that, “It is a group of wooden books”. However, things are not so simple… many books can’t be both opened on a material level or a spiritual level, which is the “book that does not exist” –...
The exhibition showcases 12 works in various mediums, including painting, photography, video installation, kinetic installation, and interactive audio installation.
The art works of the exhibition start from a fictional event made up by Tang Maohong: a group of people carry stones on their back and empty a riverbed. The event is similar to a Chinese fable famous story "Yugong Removing the Mountains".
The exhibition showcases more than thirty pieces of the Indian architect’s notable works, including personal and public housing, community projects, educational institution, urban planning and furniture design.
Zong Qixiang is a representative of the Chinese painting reformists of the 20th century, and one of the first representatives of artists who have succeeded in transforming Chinese landscape painting by combining with Western painting, together with Jiang Zhaohe, Li Keran and Li Hu who are the Four New Chinese Art Reformists.
After a swim in the “Cellar” of dark swamp, when entering the front gallery, “The Garret” is presented where everything seems to be organized, rational and perfect. The space is decorated into an office space that belongs to someone of very high ‘rank’ or ‘achievements’, at least by common social standards.
In Bian Qing’s paintings, the “landscape” is a cultural model of spirituality and a painting resource that has been historicized. These two dimensions interweave in his work, concealing one another.
Absurdity and Fantasy, local colorism and undornated style, reality and realism, the modernity process of painting and the interaction with the history of painting always consist in Qi Wenzhang’s works, constructing his unique visual narrative and theory of painting.