Richard Serra is among the leading artists of his generation. Known for his large-scale, site-specific sculptures, the artist has consistently produced drawings throughout his decades long career.
In the lecture, John Baines studied the relief patterns in the ancient Egyptian palettes, and used the decorative form of other Egyptian artifacts as circumstantial evidence in his presentation.
Dense layering is one device of expression Ma uses for showing Ma's painting process. To him, all colours fall into two groups: those that are transparent and those not. On top and underneath, visible and invisible, colours in various ways of juxtaposition come into being in the painting...
This exhibition extends XU ZHEN®’s persistent interest in subjects such as transforming, iterating and evolving the civilisation within the context of post-globalisation. As “Alien” is constructing an impression of the thrilling and the unknown, this exhibition will inspire the viewers’ imagination about future and primitivity.
This show is comprised of recent paintings from the artist’s ongoing series, “Lucy” and a video work, “Dance, Tattoo, Data Carnival”.
The exhibition follows a series of paintings and installation works created by Fu in the past three years, from which the artist’s advancement and exploration in his own creative context is reflected.
It will show major works drawn from Xu Bing's artistic career since the 1980s. The exhibition is curated by UCCA Director Philip Tinari and independent curator Feng Boyi.
In summary, the overall picture of the works of members of the MMA's Section of Fine Arts represents diversity. While tradition is present in some of the works, it is also diverse.
The present exhibition features a selection of twenty paintings made between 1999 and 2018. Personal and culturally significant iconography unites the works presented therein.
Under the theme 'Living is Giving', Chinese audiences and design professionals will get a chance to experience new concepts for life-style, sustainable living, recycling, community empowerment.
The publication concisely constitutes a clue through which we can to some extent observe the historical trajectory of Chinese and Western art criticism...
As Fu’s statement indicates, she first began to produce artworks using needles to pierce Xuan paper in 2010 during her studies as a masters’ student in the Department of Experimental Art at the Central Academy of Fine Arts, Beijing. Fu’s use of needles to pierce Xuan paper developed as a result of an exercise in...