The exhibition consists of fourteen paintings that bring together the radically multicultural aspects of Gang’s art and identity. Though the artist is fully Chinese and American, he is considered (and considers himself) an insider’s outsider in both cultures.
The leaders of Central Academy of Fine Arts, Jin Weinuo’s friends, academic colleagues, the successive student representatives and the family members of Jin Weinuo attended the symposium.
Being a leader and representative of Chinese woodblock printmakers, Chen Qi has maintained a strong sense of creativity while being highly sensitive to current circumstances and constantly adopts new ideas and methods in his artistic creations.
Spanning over forty years, Ni Jun’s extraordinary career cannot be conveniently framed within any single narrative. By presenting important works and archives from different stages of Ni’s career, the exhibition attempts to situate the artist’s oeuvre in the intersections and entanglements of art historical and personal trajectories.
This 85-year-old man is always spirited, cleared-minded and highly motivated and has received great admiration from young people. Whereas, he himself has been humbly working in the field of art creating and teaching for over 70 years.
Hu Wei’s art begins with traditional Chinese painting, expanding the traditional medium of ink into mixed media and elevating a technical medium to ontological “thingness.” In the end, he creates deeper links to the Chinese aesthetic tradition within contemporary artistic creation.
New York based artist Daniel Arsham’s aesthetic revolves around his concept of fictional archaeology. Working in sculpture, architecture, drawing and film, he creates and crystallizes ambiguous in-between spaces or situations, and further stages what he refers to as future relics of the present.
42 masterpieces by a total of 23 renowned artists have been included in the exhibition and they cover calligraphy, sculpture, installation and video.
Once again, the festival will celebrate artistic encounters between France and China, in all disciplines and spanning all eras.
The exhibition, which offers a comprehensive overview of the first three decades of Picasso’s career, includes 103 works drawn entirely from the collection of the the Musée national Picasso-Paris, which trace Picasso’s development from childhood to middle age.
Hu Weiyi’s works involve multiple facets, and he is apt at combining various media in his works, especially photography, video and installation. The works in the exhibition were all produced this year...
Space is the artistic proposition that Wang Gongxin has been exploring. His works also guide the visitor to a perspective. As for the title “Under the Shadow–About BIAO”, his exhibition is a shadow that sneaks into space.