Soft Machine Expedition is an installation of video documentaries and contemporary dance archives, capturing 88 choreographic encounters collected over a three year journey across the dance landscape of Asia.
Framed within the visual landscape of Baudrillard’s photographic practice, visitors will be invited to rethink his vast and unique contribution to the history of philosophy.
The title of this exhibition originates from the transcendent culture of Chinese online literature. The artist sees the system of symbols constructed by Capitalism as ‘ubiquitously invisible’ because it is everywhere yet impossible to find.
"Photography Reforged" refers to Cai Dongdong's reflection, deconstruction and reconstruction of the operational mechanism and the image production of the medium of photography.
Wu may be said to have a consuming passion for Chinese folklore and mythology and the way in which countless generations of artists and artisans have given visual expression to this subject matter. Although he has enormous respect for the achievements of classical Chinese culture, it has had no impact on his own practice.
De ja vu is the name of an exhibition, of a world that might emerge; sited on the fourth floor of Today Art Museum, it can be experienced in two directions. The time-space that the exhibition creates is a terminus that shivers like a mirage between the evolving trajectory of technologies and the human race....
Compelled by a personal sentiment towards a world that is becoming increasingly fragmented, segmented and dissonant, particularly as a result of constantly renewing technologies, Ji Zhou adopts the medium of photography to convey his mediations between reality and illusion, nature and artificiality, as well as the mutual impacts from these dichotomies.
This show presents the artist’s continued fascination with the ever blurring boundaries between the digitally manufactured, virtual spaces of our computer age and traditional reality.
This exhibition examines several perspectives of thinking and artistic proposals as significant examples of different projects and work issues developed by the artist through his career.
In this exhibition Zheng Lu continues to explore “root metaphor” (his exhibition“Root Metaphor”is now on show at Sundarm Tagore Gallery in New York).
It features works created over the time span of a decade, reveals the unbeknownst part of the artist in his creation, which most of the works were never shown before.
Open Codes brings computing and art together in various ways. It is a new form of assembly, combining practical knowledge of computer code and critical artistic approaches in a single venue.