This year, IAS festivities begin at Aotuspace on 6 September with the launch of the IAS MAP 2019, and continue over the weekend (7 – 8 September) with a series of professional development workshops hosted at I: project space. There are 24 domestic spaces and 10 international spaces from Germany, Australia, Switzerland and Japan participating...
Presented across two institutions (moCa and the Cleveland Museum of Art) and developed in direct response to both spaces’ architecture, Invisible Cities presents a constellation of works that employs abstraction and fragmentation to create new narratives.
As suggested in its title, a momentary pause from repose to performance, a disjunction between mind and body, may be the elusive position from which a viewer reframes their perception of being human.
Over a period of more than sixty years Arp produced an extraordinarily influential body of work that shifts fluidly between abstraction and representation, and between organic and geometric forms.
The show showcases some of the major ceramics and paintings created by Renqian Yang in the United States between 2013 and 2019.
This series of three lectures concentrates on the first three decades of the twentieth century, when the two binary oppositions of modern/traditional, and East/West, first came to be applied to the art of China.
As the most comprehensive survey of Dylan’s art to date, it will invite visitors to experience his artwork in an immersive and interactive environment.
The artist applies many layers of acrylic paint on top of each others onto a wooden panel until obtaining a certain thickness. She then uses various methods to manipulate and model the stacked layers of color.
The first extended retrospective exhibition of Shoji Ueda in Xiamen, China, features 141 early and late works ranging from his masterful series Sand Dunes to the fashion photographs that helped trigger a reappraisal of his achievements.
For more than forty years now, the work of Jean-Luc Mylayne (b. 1946) focuses on the encounter with birds, their fleeting presence captured by the camera. The bird in its natural habitat is Mylayne’s distinctive subject, serving not only as actor but also as conceptual partner on equal terms.
Both presentations will be joined in the second floor of the museum, which is transformed completely into a stage, where re-enactments of signature works choreographed by Yvonne Rainer in the 1960s and Wen Hui in the 1990s will be presented.
Soft Machine Expedition is an installation of video documentaries and contemporary dance archives, capturing 88 choreographic encounters collected over a three year journey across the dance landscape of Asia.