Paying Special Regard to Domestic Treasure: Photography Exhibition of Shanxi Ancient Murals by Wu Pu-ao Grandly Inaugurated at CAFA Art Museum
It features more than three hundred photos of murals taken by the noted photographer Wu Pu-ao over the three decades.
Interview with Han Jiaying (Part I): Self–Examination of the Designers of Our Generation
In fact, all the things in our daily life have an important influence on the aesthetic judgment and concept of the designers in the future, which is most real and essential. I wish to present my personality, the background of the designers of our generation...
A Visual Tour of Prints of Jin Shangyi’s Classics at CAFA Art Museum
The introduction of these prints of classic works reduce the distance between the master and the public, who are able to visit the exhibition, see the album, and buy it. Works are presented in the F4 Exhibition Hall, and lasts until May 26, 2013.
Aesthetic Regime of Art for Now – A Conversation with Jacques Rancière
Rancière believed that we must initially understand the meaning of “equality”, in French, the word stood for “search”, associating the unknown and known, Rancière believed that regardless of the current environment, we should still keep “searching”.
Art History: Going Towards a New Global Dialogue/Discussion Series I: Basic Theory – Boundary and Future
Lydia raised three focuses in current art. It was necessary to see the new theoretical issue with the use of a global viewpoint, and it was not postmodern, nor a new surrealism.
A Visual Journey of “I’m not not not Chen Zhou” at Magician Space
Chen describes the work as a ‘yellow journey’. They explore fragments of the ego and the blurry relationships that connect together these pieces to reveal a path that this Chen Zhou (who isn’t Chen Zhou) is about to embark on.
Boundless – Wang Huangsheng’s Works (2009 – 2013) at Zhejiang Art Museum
Through the juxtaposition of the black, white and gray exhibition spaces, it focuses on the display of the creations, the thinking and the judging during this stage, at the same time, meaning that his creation is in the process of experimental exploration, and is always in a status of “roaming” and “boundless”.
Professor Daniele Bloch: Contemporary French Art
She pointed out that because of domestic policy issues, French contemporary art had hardly been encouraged to produce outputs, so that the United States accounted for the dominance in contemporary art after World War II, though, there were a lot of outstanding artists in France.
Exhibition“Pessimism or Resistance?”centers on politics of reality and of the visible
This title is a question thrown to the artists and the audience, asking ourselves as artists and the audience, what can we do and how to go about politics on a visual threshold?
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