In fact, all the things in our daily life have an important influence on the aesthetic judgment and concept of the designers in the future, which is most real and essential. I wish to present my personality, the background of the designers of our generation...
Rancière believed that we must initially understand the meaning of “equality”, in French, the word stood for “search”, associating the unknown and known, Rancière believed that regardless of the current environment, we should still keep “searching”.
Lydia raised three focuses in current art. It was necessary to see the new theoretical issue with the use of a global viewpoint, and it was not postmodern, nor a new surrealism.
She pointed out that because of domestic policy issues, French contemporary art had hardly been encouraged to produce outputs, so that the United States accounted for the dominance in contemporary art after World War II, though, there were a lot of outstanding artists in France.
This title is a question thrown to the artists and the audience, asking ourselves as artists and the audience, what can we do and how to go about politics on a visual threshold?
Presided over by Wang Huangsheng and Yang Tianna, the lecture was about the experiences and creations of Adel Abdessemed and Yang Jiechang.
The exhibition features over a hundred pieces of recent works by Xu Jiang and Shi Hui, which is also the first joint exhibition by this couple in Europe.
Twenty-seven noted scholars were invited to speak, eight scholars served as commentors in the academic discussions, together with an academic report of the overview.
At the same time, it announced the epilogue of the media architectural studio course, initially placed in a teaching course of the schools of architecture across the nation, collaborated by CAFA and MAI (Media Architecture Institute) in the School of Architecture, CAFA.