The exhibition is presented with two clues: documentary and works for discussion on Zheng Jin’s oeuvre.
“PIONEERING: Chinese Artists Abroad in France and Chinese Modern Art (1911-1949)” will remain on view till March 3.
As the first national sculpture scholarship in the history of modern Chinese sculpture, it has reached a junction in its ten-year journey.
As the title Steel Home Still suggests, the No.3 Blast Furnace Museum will continue to record the future Shougang and urban memory...
There is no doubt that ink and wash is an important cultural resource for our participation in international dialogue today. Throughout the 40 years of reform and opening up, ink and wash art has never stopped exploring the epochal trends.
In regards to his works that are displayed in this exhibition, Jin Rilong’s artistic motives and creative themes are unique. Abstract painting has become a pioneering style in the developing process of modern Western art as it has its own academic context and is diversified in form.
Slightly remorsefully, Chen Qi speaks of his mad experiements in the 80s, influenced by western mordernism. It was also the time when China first began the reform and opening up. He also speaks of returning to the serenity and exquisiteness of printmaking, which was a process of realization that bids farewell to trendy waves of...
“Overseas Chinese artists” refer to a special and broad group, and we can’t use fixed criteria to judge and measure them because of different cultural contexts of the regions they live in, different individual experiences and backgrounds. Therefore, it’s not easy to investigate the “common traits” of the group.
The world is constantly changing; art is developing; education is transforming. How can art education play a role in this dynamic and rapidly shifting situation, and particularly, in this new era of global and cultural integration? What are the challenges and opportunities facing the future of art education?
The CONSTELLATIONS symbolize a set of various complex relationships.
In Liang’s artistic practices over the past 30 years, metaphysical and philosophical thinking and poetic meditation has remained as his clue which leads to his pursuit in the beginning and end of life with the convincing symbolic meaning of silk.
Reviewing the creations of Du Xiaotong over the years, “sea” has been continuously depicted. The vast, fragmented, cold and misty scenes are regarded as objective scenes to be subjectively portrayed. From ancient to modern times, many scholars and literati have written poems on the sea, which is diverted from the demands hidden in...