OCAT Shanghai will be presenting “The Grand Voyage: A Man Upside Down” in Space C, from August 20 to November 20, 2016. The exhibition will take the audience into the mesmerizing vertigo space of “a man upside down” unveiled through multi-channel videos and mechanical installations. This exhibition is made possible by New Century Art Foundation.
In the summer of 2014, supported by Imagokinetics, Guo Xi and Zhang Jianling began a long-term collaboration “The Grand Voyage” which unfolded in an 86 days world cruise on “Costa Atlantica” from March to May, 2015. Before departure, they wrote and released twelve prophecies that will happen along the route, the stories not only reflect potential routes to the theme but also serve as an index leading to infinite texts and endless interpretations. From March to May, tracing the sensory experience and mysterious disappearance of Bas Jan Ader and Arthur Cravan, their journey searched for vanished gazes and solitary figures that once reached out to tangible infinity then disappeared in the ocean. As witnesses, the artists brought back to the continent visual testimonies that they collected along the way.
Since 2014, the unfolding of “The Grand Voyage” stems from a literary approach, that tested the waters at various venues such as, the 80 WSE Space in New York, Chronus Art Center (online project), Shanghai Shanghart Gallery, Shanghai Rockbund Art Museum, Hanart T.Z. Art Gallery and etc. At these different exhibition spaces, the artists gradually unveiled the labyrinth-esque narrative in presenting the “constellation” among texts, images and objects unpacked through the stories of one thousand characters and their respective parcels. The various exhibition sites are comparable to the chapters in a travel novel, where fragments of the countless pieces of scenarios, figures, artworks are dispersed, may be identified by the naked eye; at the same time, the artists have embedded various invisible clues in each exhibition and among themselves, building liaison between the works of art and the exhibition, allowing them to reflect and resonate with each other. In which, the characters are the evidence and ramification of their predictions, manifested through various incarnations, in particular, “obsessions” have came forth as one of the embedded clues. These invisible clues connect the dots among the stars scattered in a “constellation” that produces meaning. The exhibition welcomes the viewers to embark on a game of puzzles through their experience of the works of art, and through their arbitrary guesses, part of the hidden clues may be revealed for future exhibitions.
The Grand Voyage is supported by Imagokinetics, special thanks also go to Costa Atlantica.
Object List from “A Man Upside Down”:
1. Furniture move with the ocean waves in his cabin, sliding attentively and crashing violently in the three meters long video projection.
2. He lost consciousness next to different furniture then woke up leaning on different wooden legs, uncertain of his position in the space of two meters long video projection.
3. An armchair is approaching super typhoon “Dolphin”; a red curly hair is quivering in the cushion woven with orange and brown fiber.
4. A transparent wine bottle adorned with blue English letters is lit up by a beam of a mini projector.
5. In his telephone recording with the night shift telephone operator every time he was drunk, he repeatedly emphasized his fascination with dizziness, until both of them came up with an unconventional story.
6. A black and white photograph is the only historical record, according to reports from that time, the deflected light transformed from deep blue, golden yellow, and eventually culminated in brilliant creamy white.
7. A swinging light.
About the artists
Guo Xi’s practice draws upon the ideologies through which people perceive and interpret their world, most specifically, the toughest-to-crack nut, grown out of the convergence of these ideologies. By means of a dramatized sense of humor, Xi attempts to soften, or even break open this nutshell, such that a trace of absurdity and uneasiness is introduced into his viewers’ everyday lives. He likens an artist’s work to the act of “piercing”, creating pores on the hard husk of ideologies, through which people are given a chance to glimpse the truth hidden within. In Guo’s point of view, visual form is but a medium for the transmission of messages. He utilizes an extensive variety of artistic forms, including installation, painting, performance, sculpture, text, etc. in the attempt to convey his messages as faithfully as possible.
After graduating from the Department of New Media at the China Academy of Art in 2010, Guo joined a two-year program at the Rijksakademie in Amsterdam, Netherlands as an artist-in-residence. In 2015, he graduated from New York University with an MA in Studio Art.
Zhang Jianling graduated from Wuhan University in 2008, and then studied at the Institute of Contemporary Art and Social Thoughts within the School of Intermedia Art at the China Academy of Art, where she obtained her MA in 2013. She now lives in Shanghai. Zhang has taken on many curatorial roles, among them: Tales from the Taiping Era, co-curator, Red Brick Art Museum, Beijing (2014); One Meter Theater, executive curator, Imagokinetics, Hangzhou (2013); Limited Knowledge, executive curator, City University of Hong Kong, HK (2013); Greenbox: Remapping—the Space of Media Reality, co-curator, Media City Research Center, Hangzhou (2013); The Surprise of Existence—A Moment of Youth Image, executive curator, Lianzhou Foto (2012); Limited Knowledge, executive curator, China Academy of Art, Hangzhou (2012).
About the exhibition
Dates: August 20, 2016 – November 20, 2016
Opening: August 20, 2016 16:00
Support: New Century Art Foundation
Venue: OCAT Shanghai, Space C, 30 Wen’an Road, Shanghai
Courtesy of the artists and OCAT Shanghai, for further information please visit www.ocatshanghai.com.