It is impossible to do justice to Virtual Reality artworks with a mere description, which is why, in order to understand them, one must experience them first-hand. The medium, thus, literally, opens up an entirely new world for both artists and viewers.
This exhibition will examine Crystal's continued exploration into constructing landscapes as metaphors for the intangible forces that drive human beings from within. Tying intimately with her emotional states, Crystal derives the narratives of entrapment, dispute, desire and fragile optimism...
“<1.25” is a work of photography about static electricity, and touch is the most important thing to produce static electricity, which is produced by a close and intimate touch. Static electricity gives people a slight tingling sensation, and this kind of intimate tingling is like the love between a man and woman...
The works by the two artists are presented and alternatively displayed in the exhibition hall, forming a secret inner logic, to get a sense of appearance of the contemporary Gongbi.
The exhibition takes the form of a portable digital screen on which seven artists’ works are displayed. The screen arrives at its hosts via courier services.
This exhibition brings together the major works of artists from recent years. A considerable part of the work was created by the artist when he served as the Director of CAFA Art Museum, reflecting his artistic thinking at that stage.
Tang Moxi’s “A Book Can’t Be Opened” is a series of works, and the majority of audiences say that, “It is a group of wooden books”. However, things are not so simple… many books can’t be both opened on a material level or a spiritual level, which is the “book that does not exist” –...
The exhibition showcases 12 works in various mediums, including painting, photography, video installation, kinetic installation, and interactive audio installation.
The art works of the exhibition start from a fictional event made up by Tang Maohong: a group of people carry stones on their back and empty a riverbed. The event is similar to a Chinese fable famous story "Yugong Removing the Mountains".
The exhibition showcases more than thirty pieces of the Indian architect’s notable works, including personal and public housing, community projects, educational institution, urban planning and furniture design.
After a swim in the “Cellar” of dark swamp, when entering the front gallery, “The Garret” is presented where everything seems to be organized, rational and perfect. The space is decorated into an office space that belongs to someone of very high ‘rank’ or ‘achievements’, at least by common social standards.
In Bian Qing’s paintings, the “landscape” is a cultural model of spirituality and a painting resource that has been historicized. These two dimensions interweave in his work, concealing one another.