Framed within the visual landscape of Baudrillard’s photographic practice, visitors will be invited to rethink his vast and unique contribution to the history of philosophy.
The title of this exhibition originates from the transcendent culture of Chinese online literature. The artist sees the system of symbols constructed by Capitalism as ‘ubiquitously invisible’ because it is everywhere yet impossible to find.
"Photography Reforged" refers to Cai Dongdong's reflection, deconstruction and reconstruction of the operational mechanism and the image production of the medium of photography.
Different from current types of creation, Ji Zi’s works have become a style of Chinese contemporary art creation and he has become a case for continuous discussion in the international field.
Wu may be said to have a consuming passion for Chinese folklore and mythology and the way in which countless generations of artists and artisans have given visual expression to this subject matter. Although he has enormous respect for the achievements of classical Chinese culture, it has had no impact on his own practice.
The exhibition delves into some of the realities in Chinese contemporary art history, sifts through the “sites” behind the survival of artists, and therefore develops a unique research topic.
40 years of artistic accumulation is presented to the viewers in six sections encompassing picture storybooks, stamps, and Chinese paintings through a panoramic display.
Compelled by a personal sentiment towards a world that is becoming increasingly fragmented, segmented and dissonant, particularly as a result of constantly renewing technologies, Ji Zhou adopts the medium of photography to convey his mediations between reality and illusion, nature and artificiality, as well as the mutual impacts from these dichotomies.
This show presents the artist’s continued fascination with the ever blurring boundaries between the digitally manufactured, virtual spaces of our computer age and traditional reality.
This exhibition examines several perspectives of thinking and artistic proposals as significant examples of different projects and work issues developed by the artist through his career.
This exhibition, known as the largest solo exhibition ever in Leandro’s art career, showcases many works that are revealed to the Chinese public for the first time.
In this exhibition Zheng Lu continues to explore “root metaphor” (his exhibition“Root Metaphor”is now on show at Sundarm Tagore Gallery in New York).