In this exhibition Zheng Lu continues to explore “root metaphor” (his exhibition“Root Metaphor”is now on show at Sundarm Tagore Gallery in New York).
It features art exploration in terms of the integration of traditions and revolutions by Italian artist Matteo Basilé and Chinese artist Shi Liang.
This exhibition rediscovers China as it was while reflecting on the historical scenes of China, which were once again reunited and re-examined. The exhibition will remain on view until July 28.
It features works created over the time span of a decade, reveals the unbeknownst part of the artist in his creation, which most of the works were never shown before.
Open Codes brings computing and art together in various ways. It is a new form of assembly, combining practical knowledge of computer code and critical artistic approaches in a single venue.
The exhibition displays around 200 works, connecting the lives of the two generations, and expresses the core idea: cultural protection and inheritance.
The exhibition invited Cai Caibei, Chi Qun, Fang Lijun, Fu Bin, Guo Donglai, Wang Lijun, Wu Mengshi and Zhu Peihong to participate as artists. They use different ways to convey contradictions and confusions that related to the time's property.
The exhibition as the largest solo exhibition ever in Leandro’s art career, has occupied the entire space of CAFA Art Museum.
It brings together over 100 works by about 70 artists from nearly 20 countries.
The artists – Ann Veronica Janssens, Diana Thater, Pae White, SUPERFLEX from 1301PE, Alex Ito, Benjamin Horns, Sydney Shen from Springsteen, and two Chinese artists Chen Wei and Xia Tao share the gallery space and present a series of works in the medium of painting, installation, video and mural, etc.
In recent years, Xing Danwen’s interest rests on the tenuous relationship between urban space and private space, and the individual’s existence in such environments.
The status of art criticism used to have a glorious period in history; however, during the last twenty years, the phenomenon of the decline of art criticism cannot be ignored. Specifically, the speaking right of critics which has been robbed of by curators; moreover, the standards set by critics are constantly challenging as they are by...