The exhibition brings together eight Chinese artists whose works illuminate the idea of writing, rewriting, and erasing as a thread of metaphorical actions connected to a personalised scenario in art creation. In the action of rewriting, the audience encounters the artists’ deep contemplation, reflection, and transformation that informs their everyday existence in the world without...
Muntadas is interested in cultural differences reflected in many works, for example, the work on “translation”. Translation is as an expression for the artist. He spent a lot of time completing this set of works, “translation” is not only about the translation of language, but also on cultural and political translation.
This exhibition will present artist Chen Dongfan’s latest drawing series Half a Man, as well as a single-channel video installation In Bliss Until Eternity. While the Half a Man series continues Chen’s long-term exploration of portrait painting, it is also an homage to the late artist Mike Kelley (1954–2012).
The art of Chinese traditional color sculpture has occupied an important position in the history of Chinese sculptures, and it is an important representative of ancient Chinese plastic arts.
It presents 184 works by 49 young artists, which are divided into two phases: 110 works are on show in the Rightview from March 18 to May 4, and another 74 works are shown at the Tiandayunhua from April 10 to May 4.
Taking the vantage point from the film, the exhibition shows several of the artistic duo’s most recent climate related art works. Focusing on man’s attempts of atmospheric control through various geo-engineering techniques, the exhibition walks the audience through three different thematic zones: The Storm, The Drought and The Freeze.
The water, as the media and topic of the entire performance, is combined with the devices, behaviors, live music, impromptu singing and live images. The performance mines various images caused by the water, creates an abstract and poetic experience of images and sound,...
The exhibition is hosted by the Central Academy of Fine Arts, organized by the Institute of Architecture and Design at the Central Academy of Fine Arts and the President of Central Academy of Fine Arts Fan Di’an is the academic chair.
As part of this collaboration, Art Basel helped select artists whose existing practice made them good candidates to experiment with Tilt Brush, who were then invited by Google Arts & Culture to attend multiday residencies in Beijing and Paris.
The works range from kinetic sculpture to performance based installation, video to net art, providing a glimpse of China’s present-day media...
With a criticality towards the role of journalistic, museological, and scientific practices, this exhibition follows a self-reflective research methodology and engages with the infrastructure and logistics of environmental remediation, and the reification of anti-desertification programs.
The show addresses the concept of “carnivalesque” developed by 20th century literary critic Mikhail Bakhtin as it pertains to artwork created by an emerging generation of young Chinese artists today.