The planner used a precise expression to describe the theme of the activity, namely “to achieve oriental style without drawing directly from the past, to capture modern spirit without mimicking the West”.
It is not an exhibition of painting, design or furniture, in the general sense. It brings together the elegant works of ingenuity by 11 artists and literati...
12 experts from the UK and China were specially invited to conduct discussions on art that intervenes and leads on urban design, they centered around the plan and construction of “soft city” themed on “City for Tomorrow”, and they took the initiative to respond to the general issue in the process of urbanization in China....
It remains on view till October 8, 2017, and it is about to move to Shanghai and Guangzhou from October to December, 2017.
Yizhi focused on the construction of the overall academic thinking, while she was also highly artistically sensitive. Her ability to analyze and think rationally is what enables her to mix knowledge with practice.
As a talented Chinese fashion designer, Lyu Yue is already known overseas. Her work has transcended borders. For an excellent designer, Lyu Yue not only has solid foundation skills, excellent drawing skills and an advanced production using technology, but also has a unique artistic sensibility, which always brings new inspiration.
With the exhibition NEW DANISH MODERN, Design Denmark – the largest, independent design organization in Denmark – proudly presents a selection of strong examples from the past, present, and future of Danish design.
Art reveals the stories of our own instead of enslavement, Chellali’s works reveals the sensuality and secularity that only belong to female artists, whether its a cognition to oriental beauty or a challenge to ‘Pursuit of Happiness’.
It shows a selection of 12 videos and Han Nefkens, the well-known Dutch art collector and writer, began building his collection in 2000, and has worked selectively with art museums and other institutions worldwide to exhibit his collection.
The exhibition is named after the work “Plumtree Scent”, symbolizing rebirth after tempering. The process of the artists’ thinking and solving the dilemma of life is a metaphor for a bud of hope, and holds an optimistic dedication to contemporary people as a release from the dilemma of self...
Yamanaka’s design inspirations usually come from the relation between objects: “I admire the space around objects, not the objects itself. Designing the object is meaningless to me; object is just a tool to design the space around”.