The exhibition is arranged by decade and features more than 300 paintings, photographs, screen prints, drawings, and sculptures. Iconic works in the exhibition include Jackie(1964), Marilyn Monroe(1967), Silver Liz(1963), Mao(1972), Campbell’s Soup(1961), and Self-Portrait(1986).
It is the first retrospective of Professor Cao Chunsheng in the past sixty years. It showcases over 200 pieces of sculptures, paintings that Cao has produced since 1953.
It features nearly 300 drawings of Wei Qimei which will be the largest drawing exhibition of the artist.
It shows a landscape of drawing by performing together, which aims at reconstructing drawing on the base of it’s ideas’ essence, namely drawing should to be contemporary.
He was admitted to the Department of Art, Chongqing Central University in 1942 where he was supervised by Xu Beihong. When he graduated from the university in 1947, he was invited by Xu to teach in the National Beiping Art School. Since 1950, he has taught in the Department of Oil Painting, CAFA.
It features more than 100 works by Su Gaoli, along with the publication of the same title, by combing through the art of Su Gaoli from the perspective of the sketch, observing his art research and creative process.
It is divided into three parts, including “Memory of Hong Kong”, “Portrayal of the South of Guangdong Province”, and “Northern Sentiment”, this system is a comprehensive display of the artistic achievement of Yu Ben.
This exhibition takes the form of a dialog between drawing and sculpture, Zhang Dun’s delicate pencil drawings contrasting with the sensuous white marble sculptures of Song Hongquan.
With a graphic art that hybridizes manga codes with linear drawing and vintage photography, the exhibition Space Conflicts by Mariasun Salgado presents a series of digital collages and compositions with which she subtly alters the traditional codes of representation.