It seems that around the exhibition of Xu Bing’s Dragonfly Eyes, a perfect narrative is given to the history of the art and the present.
Drawing inspiration from the symmetric and theatrical spatial layout of the museum, the artist presents six recent works and one ongoing project within four installations. Each installation is a theatre in which different works, or different versions of works, take turns to go onstage...
Through their citations of history, geography and poetry, Yang Luzi’s films explore the limits and secrets of perceptible language. Her work hovers in a space between sensory experience and the indescribable.
He explores human nature as it exists on the fringes of society, seeking different methods of image-making in order to construct a solemn and direct experience of events that bridge the past to the present.
“Acting Out” brings together over 100 well-known and never-before-seen photographs from Wing Shya’s films, editorial and personal work.
The particular charm of Ho Sintung’s posters for non-existent films and installations derives from her ability to compress a wide range of cinematic, art historical and literary references into carefully orchestrated compositions.
Also this exhibition will for the first time in Asia present Yang Fudong’s site specific film installation for the SALT ART titled “The Light That I Feel” in the summer of 2014. The film was created during the summer at Sandhornøy together with local actors and dancers.
The exhibition features two bodies of work in which Warhol redefined portraiture: the silent film portraits from the 1960s that he collectively called the Screen Tests, and his portraits of himself and others that he shot on Polaroid film throughout the 1970s and ‘80s.
“Image Script” is the initial feeling of Mang Mang’s works from the curator Jiang Xuetao. After a decade of theatrical performance, Mang Mang had been the protagonist herself of all her works during 2009 to 2014. She acted as different “roles” and finished the special image creation.
Accompanying the exhibition, a symposium of various topics including “Female Perspective”, “Redefining Media” and “Film as Media” will be organized. Meta Gallery has the pleasure to have the six editorial board members of Film Auteurs in house to introduce the publication and exchange ideas with the audience.
This exhibition seeks to decode the relationships we have with ourselves, others, the objects around us and the places in which we live, through introspective interpretation and existential reasoning. The immersive films, prints and installations invite participants to openly explore the concept of...
The film surveys these characters and then transitions from this endless earthen rubble to utopian visions and images of the waves of protests occurring around the world in 1968. Some show suppression of uprisings while others show protests forming….Through synchronized editing, these significant movements and events in different countries reveal to us the conflict that...