It showcases more than 400 pieces of Untitled Drawings, a 1:1 scale inflatable version of Really Good, and other signature works over the past 30 years representative of Shrigley’s irreverent take on the intersections between art, design and popular culture.
Musquiqui Chihying is apt at deploying different media including film, photography, and installation to explore the relationships formed by people and objects with public space, as well as the changes that capital has wrought on human life.
This exhibition presents Yin Qi’s latest paintings, including oil, print, and mixed media works. The exhibition will be on view through September 16th, 2018.
The exhibition covers over 70 representative works featured contemporary ink and wash by the artist in recent years.
Recently, Xu Bing’s comprehensive institutional exhibition “Xu Bing: Thought and Method” was unveiled at the Ullens Center for Contemporary Art in Beijing. The exhibition brings together more than 60 works created during his forty years art career which tries to explore Xu Bing’s thoughts and methods through a comprehensive exploration and presentation.
In 2017, CAFA ART INFO initiated the young artists exhibition project entitled “CAFA Young Artist Laboratory”, which aims to present the status and ideas of contemporary young artists in the process of exploration and experimentation. This exhibition opportunity allows CAFA ART INFO to go from online to offline, to offer the creative talent of young...
The show offers a focussed survey of major works from the artist’s entire career, including Personage sculptures from the late 1940s, Cell installations from the 1990s, the fabric works of her final decade, and the monumental spider sculpture Maman.
Drawing inspiration from the symmetric and theatrical spatial layout of the museum, the artist presents six recent works and one ongoing project within four installations. Each installation is a theatre in which different works, or different versions of works, take turns to go onstage...
The artist considers the exhibition to be a site-specific project that explores four key concepts: “individual consciousness”, “collective consciousness”, “public consciousness”, and “ultimate consciousness”.
Her paper works of 2017 and 2018 are characterized by an evolution in her technique and a transition in her imagery from the landscape motifs with which she is most closely associated to a more abstract language of forms.
The artists in One Hand Clapping explore our changing relationship with the future. Produced in both new and traditional mediums—from virtual reality technology to oil on canvas—their commissioned works challenge visions of a global, homogeneous, and technocratic future.
The exhibition features a group of seven new light works, building on Erizku's tradition of working in neon and simultaneously referencing the indelible history and iconic significance of neon signage in Hong Kong's streets and skyline.