This is her participation. She has a lot of speculation about the participating audience, but it is unpredictable (It should be more precisely defined as “participants”, actually the roles here are more than from “viewing” to “thinking"...
"Luo Wei most recent creation based on 'transcendence' highlights the process of self-subjectivity structuration." Liu Libin said, “While remaining a side observer”, she extracts capacity from her knowledge of various religions...
It marks the piece’s China debut and its second performance worldwide after its unveiling at the National Museum of Modern and Contemporary Art, Korea in 2013.
The exhibition is jointly curated by Wang Chunchen and Jonas Stampe, mainly showcasing the on-site pictures of nearly 20 performance works as well as 10 videos of performances.
The performance can be seen as a ritual regarding labor and consumption: the workers, artists, and performers are all involved simultaneously, and their work will become nothingness by the end of the exhibition.
It reviews and summarises the creations by artist Zhang Xiaotao from 2009-2014, the process of his works shifted from painting to multi media in video, installation, animation, performance which fully presents the creation and thinking of Zhang Xiaotao.
He Yunchang is the one who should not be neglected when studying the art in reality and may reach your heart to the bottom with his simplicity. Performance Arts, unfamiliar and even terrifying, stands out from a variety of art that people get used to especially when using bodies as its medium.
His works deal with global immigration and the changing living condition, a follow-up of his grand survey “Roxy” at Minsheng Art Museum in 2012.
The three artworks employ three different ways of examining the relationship between artistic creation, experience, and consciousness. Liu Ding’s art explores how these relationships can be described, expressed, and understood.