On the basis of his lifelong archives, Jan Lauwers is building a monumental installation in which he reinterprets past works and materials and confronts them with art history.
Hereon, Zero For Conduct is neither a test nor a judgment. The curator wants to appropriate the name of Jean Vi-go’s movie to intimate an interaction between individual and system; at the same time, providing a response to the so called “attention economy”.
As a limited individual, man cannot understand the infinity of life. However, through body performance, one can explore and measure, thus increasing sensory perception as well as comprehension of this concept. Through his art, Liu Chengrui enhances individual experience and expands its dimensions.
As was written in the preface: “gravitational waves” is caused by the interaction between two objects with a mass, and it’s able to penetrate regions of space that electromagnetic waves cannot.
“Image Script” is the initial feeling of Mang Mang’s works from the curator Jiang Xuetao. After a decade of theatrical performance, Mang Mang had been the protagonist herself of all her works during 2009 to 2014. She acted as different “roles” and finished the special image creation.
It showcases a total of 34 (groups of) artists with...
Education plays a primary role in this process, especially university studies. How is what we learn of help to our future life, both in terms of a career and an understanding of the world? This spring, OCAT Xi’an exhibition programme explores this question.
Placing himself in the ruin, he tries to experience the accelerated urbanization in contemporary China by means of heavy physical labor so as to bring social problems and the individual memory into the context of physical memory that is lonely, quiet, barbarous, desolate and forceful.
Featuring over 50 artworks spanning across a wide range of medium such as painting, sculpture, installation, performance art and theatre...
Through coordinated implementation and retracing different versions of the ‘Silk Road’, they will use negotiation and implementation of the micro ‘rise’ and micro ‘cultural and art trade partnership’ in order to produce art exhibitions.
This will provides and promotes a direct meeting with artists and their work during the happening of the creation process. This unique event, thought of as critical studio, put together figures crucial to the happenings of Chinese performance art which often have spelled the international contemporaneity.
Between indoor and outdoor spaces of IT PARK, the exhibition provides a wormhole of life and memory for audience. Derived from the memory of watching Halley's Comet in the childhood, the works seal the operation of the universe and my own life memory inside IT PARK.