Throughout the entire project Zhao Liang functions as a "recorder" and through the combination of live steaming video, broadcasting, short documentary films and installation he completeds a transgression of artistic boundaries in DRC No. 12.
The exhibition showcases over 150 pieces (sets) of artworks nominated by 21 universities based in Beijing, and it covers a wide range of media...
This Image Triennial is generally planned by Wang Shaoqiang, Director of Guangdong Museum of Art, curated by Alejandro Castellote (Spain), Bao Dong (China) and Zeng Han (China) as curators.
Antoni Muntadas is one the pioneers of video-art and one of the most internationally renowned video artists, who launched cutting-edge researches and investigations in the 1970’s in NYC...
Through behind the scenes footages, interviews, tracking shots, documentations, performances and various other methods, the everyday sales and transactions between salesmen and customers are presented.
This exhibition can be seen as Cheng’s latest cinematic experiment in his quest to understand the essence of language & speech, Otherness, aspects of Psychogeography, and the relationship between time and the urban environment.
Along with the installation, Ye presents a new work titled Flying Dance. Consistingof a 30-minute video and photographs, she performs various female roles basedon characters from popular Chinese television shows in the works.
Realised in dialogue with the physicality and functionality of the museum’s architecture, the exhibition will alter the building’s current existence through an unexpected use of time, space, light, and sound to become a semi automated puppet...
The title of the exhibition, Monuments, literally refers to both the solid, recurring images of statuary featured in the artist’s work, which, by extension, bears his amorphous indelible memories.
There are seven films, one for each week. Their narratives are rooted in different times and spaces. There seems to be no direct association among them, nor any intersection.
Art reveals the stories of our own instead of enslavement, Chellali’s works reveals the sensuality and secularity that only belong to female artists, whether its a cognition to oriental beauty or a challenge to ‘Pursuit of Happiness’.
It shows a selection of 12 videos and Han Nefkens, the well-known Dutch art collector and writer, began building his collection in 2000, and has worked selectively with art museums and other institutions worldwide to exhibit his collection.